How does a body in process perform itself, looked at, and how can a capturing gaze be evaded or even transformed?

An encounter with the score of Peter Maxwell Davies’ music-theatre/opera work Resurrection (1963-87).

How does a body in process perform itself, looked at, and how can a capturing gaze be evaded or even transformed?

An encounter with the score of Peter Maxwell Davies’ music-theatre/opera work Resurrection (1963-87).

A childhood picture. An imagined choreography. A play on national identity. A tribute to Gilda, even if she is not Uruguayan...  >

Follow my lead: from the outside to the inside! Watch me jump, until your mind is jumping.

A childhood picture. An imagined choreography. A play on national identity. A tribute to Gilda, even if she is not Uruguayan...  >

Follow my lead: from the outside to the inside! Watch me jump, until your mind is jumping.

Offene Studien zu somatischen Technologien und Tanz als orakelhafte Praxis.

“Hello, there! Do you read me? It’s been a long time that you recognize me. I’ve been looking for you. ...