Naledi Majola
In Flux

How does a body in process perform itself, looked at, and how can a capturing gaze be evaded or even transformed?
Crispin Lord
Scenes from Resurrection

An encounter with the score of Peter Maxwell Davies’ music-theatre/opera work Resurrection (1963-87).
Naledi Majola
In Flux

How does a body in process perform itself, looked at, and how can a capturing gaze be evaded or even transformed?
Crispin Lord
Scenes from Resurrection

An encounter with the score of Peter Maxwell Davies’ music-theatre/opera work Resurrection (1963-87).
SERAFINE1369s aka Jamila Johnson-Small
I want to open all the windows and all of the doors

Offene Studien zu somatischen Technologien und Tanz als orakelhafte Praxis.
maC Abschlussarbeit
maC Abschlussarbeit