Research
of the HZT Berlin and its partners
Improvisation in Dance and Music – Simon Rose with Ingo Reulecke
The ability to improvise, to be creative with one another, is an essential part of performance practice for the contemporary, creative musician and dancer, without which we are lost. Improvisation’s implementation can vary enormously, from a delineated tool towards choreographic/compositional ends, to...
Transgressions – Energizing Body and Scene: Playing with Forces
DFG-Research project (August 2015 - February 2020)
Choreographic bodies are qualified through modes of expansion and transgression that correspond to aesthetic strategies which energise body, action, space and gaze.
My project...
Research Fellows 2020 – Jonathan Osborn and Maikon K.
Jonathan Osborn is a Toronto-based choreographer, educator, and researcher. He holds degrees in English, Dance, and Dance Studies (PhD, York University). Jonathan focuses specifically on the solo form and his choreographic works have received support from municipal, provincial, and...
Laboratory on Feedback in Artistic Processes – Audiences #2/2105
In its second edition the Laboratory on Feedback in Artistic Processes focused on contemporary feedback culture in regards to the audience. What can public feedback with audiences do for the artist and the audience itself? The laboratory explored alternatives to the artistic...
Take us for a Walk (2014) – Workshop, Performance, Symposium
Workshop, Performance, Symposium
Whether walking together or on our own, we are always synchronizing and desynchronizing: swinging limbs, adjusting muscle tone, heartbeat, breathing… Our bodies are defined by a multiplicity of rhythms, which permanently influence each other. If we...