A performative investigation into the 1974 novella "The Lost Honour of Katharina Blum". How do language and its weaponizations operate, in Katharina Blum >
A body moves between soil and stage, repeating gestures of labor, survival, and performance. What connects the farmhand and the stripper? >
This unchartered tongue is a tongue within a tongue – a language no longer feels maternal.
Vera Shchelkina
Everyone here is a bit of a horse
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This piece resists to become human, whatever forms it takes.
A ritual of drag, a de-orientalist and political witnessing of aestheticized violence in public life.
It’s a rite of grieving for the living creatures, an embodied poem of death and hope.
Vera Shchelkina
Everyone here is a bit of a horse
© [Translate to English:]
This piece resists to become human, whatever forms it takes.
© [Translate to English:]
An encounter between the Uferstudios and war-zones thousands kilometers away, inviting collective reflection on the fragile border between war and peace. >
