MANNA

MANNA moves between glacial melt and birth chamber, between laboratory and ritual. At its core are materials whose mutability — from solid to liquid, from transparent to porous — serves as a starting point for choreographic research into transformation, bodily boundaries, dependency, and empathy. Between tender care and threatening closeness, the performers negotiate their relationship to the materials - and to one another. Their bodies merge temporarily, only to separate again. They become mother animals, reptiles, aliens.