Naledi Majola
In Flux
© [Translate to English:] Naledi Majola
How does a body in process perform itself, looked at, and how can a capturing gaze be evaded or even transformed?
Crispin Lord
Scenes from Resurrection
An encounter with the score of Peter Maxwell Davies’ music-theatre/opera work Resurrection (1963-87).
Naledi Majola
In Flux
© [Translate to English:] Naledi Majola
How does a body in process perform itself, looked at, and how can a capturing gaze be evaded or even transformed?
Crispin Lord
Scenes from Resurrection
An encounter with the score of Peter Maxwell Davies’ music-theatre/opera work Resurrection (1963-87).
Nicole Wysokikamien
Resonances
© [Translate to English:] Bernardo Wysokikamien
A childhood picture. An imagined choreography. A play on national identity. A tribute to Gilda, even if she is not Uruguayan... >
Matteo Haitzmann
Make it Count
© [Translate to English:] Michael Brus
Follow my lead: from the outside to the inside! Watch me jump, until your mind is jumping.
Nicole Wysokikamien
Resonances
© [Translate to English:] Bernardo Wysokikamien
A childhood picture. An imagined choreography. A play on national identity. A tribute to Gilda, even if she is not Uruguayan... >
Matteo Haitzmann
Make it Count
© [Translate to English:] Michael Brus
Follow my lead: from the outside to the inside! Watch me jump, until your mind is jumping.
SERAFINE1369s aka Jamila Johnson-Small
I want to open all the windows and all of the doors
© Katarzyna Perlak and Carlos Jimenez, 2017
Loose studies in somatic technologies and dance as oracular practice